Scott talks about his journey as a guitarist, the importance of spending time with your chosen instrument, the importance of having a coach (no matter where you are) and the reason learning/practicing for him was never a chore.
Editor’s Note: Before you start reading Scott’s Q&A – play at least minute of his cover of Billy Joel’s ‘Just The Way You Are’. Let those chords and notes get in your veins!
(Word of warning: after checking out Scott’s videos on YouTube and reading his Q&A, you might be struck by the desire to fly to where his next solo show is going to be)
Leigh Lim: Hi Scott, thanks for taking the time to do a Q&A! Looking through your YouTube videos I notice that you have quite a variety of artists you cover. Is this a reflection of your own listening habits?
Scott Raines: With covers, I generally play what I like (my taste has a wide range). Sometimes I’ll learn or play something special for someone just because or if it’s something I like and is requested at a gig 😉
LL: Can you give a quick summary in terms of how you got to where you are with your playing?
SR: I was about 8 years old when my playing journey began. Growing up in Slocomb, AL, there were no local “mentors” or influences really. When I was 9, I had a really good friend (Johnny Hendrix), who was my age and knew some chords and played CCR [Creedence Clearwater Revival]. Sometimes we had music books with chords, but mostly we learned by ear.
Randy Thomley moved to Slocomb with his family from Michigan. He turned me onto great rock like Ted Nugent, Montrose, etc. Of course, as I got older and travelled, I had many influences and mentors.
2 of my best friends, my older brother and I formed a band at very young ages and were playing honkytonks at the ages of 13 & 14 (my brother was older). We didn’t know what we were doing. We just knew that we needed to sound like the records we were listening to. So we would put the needle on the record and learn stuff note for note. There is no better ear training than that. We didn’t have another band in town with which compare ourselves, but only to the bands/artists themselves on the records. We blew everyone away from very young ages. The older bar cats/musicians didn’t know what hit them.
I grew up in the Church of Christ (no instruments), which is known for their awesome singing and vocal arrangements. I was hearing harmonies from the womb. I have always had a natural ear for harmony because of that.
LL: What pulled you to travelling?
SR: I knew I wanted to play music from a very early age. As soon as I was old enough, I hit the road. I took a break from traveling while my daughters were very young. They are older now, so I am enjoying traveling more again.
LL: Were there any challenges that come to mind during your learning process?
SR: As a kid, my problem was keeping my fingers from bleeding from playing so much on a very cheap guitar.
Most of my challenges came later when I crossed into other genres or between playing acoustic and electric (which are really 2 different instruments technique-wise). I never had a problem with motivation. I was going to do it/learn it, period. I would just listen to and play with the music, jam with people and study until I got better. Learn stuff note for note, then use the concepts and apply them to my own playing, etc.
I get blocks and hit ceilings, as I’m sure everyone does. That’s when you go see live music, get on YouTube and watch some greats, go jam with friends or put on some old music that takes you back to what got you into music in the first place.
LL: Does that mean now you’ve learned how to pace yourself? (making sure that you don’t injure your fingers? Or did you just find a way to protect the tips of your fingers as a kid – maybe with something like Micropore Tape?)
SR: As a kid, small Band-Aids, then superglue worked well. After you have played for so long, you and your fingers get in shape and it doesn’t bother you any more. Playing regularly keeps them in shape. I often play with heavier gauge strings, which keeps them strong as well.
LL: Do you have specific books that you keep within reach that you regularly refer to?
SR: I was turned onto SCALES AND MODES in the Beginning by a friend (Mike Barnes) who was/is an amazing player who trained at GIT [Guitar Institute of Technology, now MI – Musician’s Institute]. I was already playing much of that stuff I learned by ear, but this book enlightened me on some of what and why I was playing some things (scales, etc.). I don’t think it really changed my life or anything.
LL: If you were to put together a learning plan for someone who has never played before, so they could have the capacity to play at your level and skill. What would it look like?
SR: For me, playing guitar is mostly right-brained. It’s a feel thing. It’s a passion thing. My thirst for theory didn’t come until later when I wondered why I played what I played. My advice would be to explore the technical side as well as the creative. Feel what you are playing, but also explore what is going on under the hood of what you are playing and why.
Take lessons, get mentors, jam with artists much better than yourself. If you are really serious in making a living at it, go to where the music business is; L.A., Nashville or New York City.
Start writing your own stuff from day one! Learning covers is good in that you pick up technique, feel, etc., but don’t spend too much time on it. Put a band together and write your own stuff, no matter how bad is sucks. Just keep writing!
If you are seriously learning guitar (or ANY other instrument), consistently practice with a metronome. Rhythm is your job. Take it seriously! If it is your job to start or count off a song in a pro show, you’d better have a click in your ear or metronome on stage in order to start it at the correct tempo. There are too many factors that can affect your inner clock (butterflies, adrenalin, distractions, etc.).
As good as Tiger Woods is, why does he still have a coach? The best drummers in the world come to practice and to the gig with a metronome. That’s all I will say about that.
LL: Would you say it was discipline that got you to where you are as a guitarist?
SR: It was never a chore for me to “practice”. My body and soul become one when I have a guitar in my hand. I can literally feel my blood pressure even out. You hear people speak of God-given talent. Maybe there is some of that, but I tend to believe it is more of a God-given passion.
If you have true passion for something, NOTHING gets in your way and “can’t” is not an option. Yes, running scales can get tedious, but by keeping your eye on an end result/goal, it is just a necessary thing. Task over time is the only way to get great at something.
LL: How important was it to have someone help you learn a specific technique?
SR: Over the years, I have learned to not waste time inventing the wheel and go straight to someone who is doing what I want to know how to do and ask them. I call it Continuing Ed. Ask them, jam with them, pay for a lesson or whatever it takes. I have played with some amazing guitarists over the years and I have to give credit to Jack Pearson, one of my current coaches/mentors.
Jack takes playing guitar to a whole new level, stepping into multiple arenas (genres, techniques) and drops jaws wherever he goes. I try to see him every few weeks when I make it to Nashville. I will pay him for a lesson, we will go to dinner and then we’ll go out on the town to see some great players.
I learned a lot by watching and playing studio sessions. Good session players, engineers and producers are incredible to watch. The way they create such masterful arrangements on the fly is just amazing. Hearing myself on tape put things in perspective. I had to practice more!
LL: Would you mind sharing some of the recent lightbulb moments you’ve had during your time with Jack?
SR: Jack and I are friends. I have never really taken formal lessons, though I would have liked to go to a music college like MI if I could have afforded it. Teaching guitar is a source of income for Jack, so I support him by paying him for lessons and subscribing to his online guitar school while I get top notch jam time and custom direction on new perspectives of the fingerboard.
LL: What would you advise a songwriter (who has never played guitar before) wanting to accumulate enough knowledge and skill to be able to translate musical ideas using the guitar?
SR: Get a chord book/app, learn the basic chords and go for it. I enjoy picking up instruments that I don’t play and banging around on them. This has inspired some pretty cool original ideas for me.
LL: Can you share three music theory related ideas that helped you become a better musician?
SR: The Nashville Number System (Number System is part of general music theory) has been the most useful for me. Generally, I can hear a song for the 1st time and have it mostly charted by the time it gets to the end. Great tool in studio sessions. Most of the jam sessions in my life, players are yelling numbers to each other, not chords. It is also invaluable when the singer decides to change the key of the song. The 1 is the 1 no matter what key it happens to be in.
Sight Reading staff certainly has its place. I just never find myself in those places.
Not really music theory, but I have to mention that if you want to be a great musician, it is VERY important that you learn to listen to what else is going on. Do not stampede on top of vocals, someone else’s solo, etc. What you don’t play is MORE important that what you do play! Playing music is not everyone banging out the same chords from start to finish.
The arrangements are carefully designed for the instruments (including the voice) to work together. This may mean that you don’t play a single note until the bridge and when you do, it is only 3 notes (maybe not even chords). The same goes in jams. When someone else is singing or playing a solo, SHUT UP or at least bring your volume WAY down. It is a conversation. Let the others speak, too. All this depends on the genre as well. There are exceptions 😉
Another thing that has helped me is learning other instruments’ parts in songs. Organ voicing is very fun on guitar. Sax solos are very similar to guitar licks and lend another perspective/approach. Piano parts are a lot of fun on guitar. I have played guitar synth and would learn many parts like organ, horn lines/stabs between guitar parts, etc.
Finally, BE NICE! Just like everything else, it is all about relationships. Learn something from everyone you meet and be nice to your fellow musicians, club owners, managers, producers, etc., but especially your fans. Nobody wants to be around an ass—.
LL: Do you do your own chord experiments?
SR: Every time I pick up a guitar! I play with inversions, especially on an electric. One of the best things you can do to learn your neck is to jam with a song a thousand times and play it different every time. Play each chord in different locations of the neck every time it comes around, on 2 strings, on 3 strings, skip strings, play the chord in 3rds, 4ths, 5ths, with the root on bottom, 5th on the bottom, 4th or 7th on the bottom, etc. There is no end to how many ways to play a simple song like Take It Easy. Per my answer above, learning other instruments’ parts helps with this, too.
LL: What’s your view on alternate tunings?
SR: I have played with alternate tunings in other artists’ music, but haven’t really gotten into it with my own music. I enjoy drop D, open A, D & E for slide. I wouldn’t hesitate to go there if I heard something I needed to capture that couldn’t happen in standard tuning.
LL: Description of your playing style?
SR: Yeah, there are endless ways to approach playing this song (and most songs). Depending on my mood, I may play a song different every time. Sometimes I want to play very sparsely to let a song breathe and bring more weight to the voice/lyrics. Sometimes I will play a piano line/part instead of guitar, etc.
Being a hired gun, my playing will have different colors, depending on whom I’m playing with, what instrument I am playing, the setting or music style. My playing style will always complement the song or type of music I am playing.
I do a different thing with my right hand, in that I hold a pick, but still use my other fingers for picking (unless it is a full on strum). I use this technique with acoustic and electric guitar.
LL: What are some misconceptions you come across about you — as a musician?
SR: Musicians/artists come in a wide variety and unfortunately many generalized opinions of them are justified by the actions of the egotistical, undependable, entitled and generally unprofessional actions of more than a few. It is a tough business and it is an uphill battle to make a living as an artist. Too few artists know anything about the “business” of their craft. It is very important to learn that side as well.
When I was young, I played by ear and would nail the songs I had learned. I had no idea what I was playing or why, but anyone who heard me thought I was amazing. This was NOT the case! Sometimes I would land on the wrong dot 😉 Ouch!
It’s funny when you see someone who shreds some song(s) and you want to jam with them and explore with them, but in reality, they can’t as much as open jam on a 1-4-5 blues. All these great clips on YouTube are cool, kids playing Eruption, or whatever, note for note, etc., but I always wonder if they have anything else. I like to think so.
LL: Are you learning something specific at the moment?
SR: I’m almost always happy, but never satisfied with where I am knowledge-wise in general. I’m a student in life and am always hungry for knowledge, especially musical knowledge.
Right now, I am working on my voice a lot. After singing all of my life, I have only recently learned about chest voice, head voice & the mix. There again, I’ve done it for years, but never really knew what I was doing and why.
I am currently spending a lot of time writing for a couple of different projects.
LL: Do you think you’d be on the lookout for a vocal coach as well?
SR: I heard a lot about Brett Manning in Nashville as the guy the record companies sent their new artists to in order to dial their voices in. I ordered a couple of programs from him that really helped my technique. When I am in Nashville, I like to schedule a one on one session with them.
LL: What’s part of your guitar arsenal at the moment?
SR: D’Addario electric strings and Elixir acoustic strings. I mostly use V-Pick for electric guitar (mostly a custom Tradition) & mandolin. For acoustic, I mostly use Dunlop Tortex (1.14mm). I use heavy pics unless I am playing a strumming rhythm acoustic track in the studio where you want to hear the sound of the pick on the strings, which syncs with the drummer’s high-hat.
I have many guitars. Which I use depends on the gig or style of music I am playing. My favorite is Fender Stratocaster (I mostly play a Jeff Beck model). I like the percussiveness of a nice clean single coil. It can get very funky.
I have Strats, Teles, Larrivee, Taylors, Peavy Wolfgang, Ovation, Brian Moore, Kramer, mandolin, dobro, ukes, etc.
LL: Do you go for D’Addario strings for your electric because they have extra flex in them? (for bends…and other nutty electric stuff. I have the impression that Elixir is great primarily for their longevity. Are those part of the choices for you?)
SR: I don’t break D’Addario strings like I do other brands and they sound and react really well. Elixir strings are for the lively sound and yes, for longevity.
LL: How would you describe your go-to set-up?
SR: Different gear for different genre/gigs. I use different amps for electric; Rivera, Fender or Marshall usually. If backline is provided, I usually get Fender, Marshall or Blackstar, depending. I’m pretty much ready for anything in my pedalboard.
If we fly to a gig, there is backline provided, so I will only bring a guitar or 2.
LL: Did you have to do any set-ups adjustments to any of your guitars (strings closer to the fretboard)?
SR: I’ve never had a guitar come straight from factory perfectly set up for me. The setup depends on what I’m going to do with it.
LL: Did it take awhile for you to settle on the kind of set-up that you like?
SR: With experience, you learn what you like. If I’m playing slide, of course, I don’t want the strings lying on the neck. Unless I am playing really hard rock, I like my strings up a bit so I can get percussive without splatting out.
Acoustics have a better tone when the strings are not right on the neck. Heavier strings help, too. I use .013 Elixirs on most of my steel string acoustics.
LL: During a gig, do you keep some notes as a guide?
SR: If I’m doing a cover solo gig where people make requests, I have my iPad to pull up lyrics from the Internet so I can play songs on the fly. Plus, I can pull up songs to see what key they are in so I can get as close as possible. I play many songs on a gig that I have never played before. The ones I like, I’ll fine-tune later and keep.
If playing a show/concert with one of my regular bands, no. We follow set lists for those.
If I am hired for a show or session, I will have charts, probably on an iPad.
And of course there is always this mental note: Don’t screw up, because if you do, it will show up on YouTube and you’ll have to live with it the rest of your life!
No, seriously, don’t be afraid to make mistakes. EVER! Everyone makes them.
LL: Would any clips from solo gigs end up on your YouTube channel in the near future?
SR: Other people upload most of the videos I see on YouTube, so I imagine they are out there. I know the APB videos pop up all the time from videographers and people in the crowd. I like it. I can critique myself.
LL: What is your warm-up / practice routine like?
SR: Before a show, I warm up with scales on guitar. Some voice warm up. Then I’ll sing and play a bunch of songs with my acoustic to get all warmed up. Ideally, I like an hour to warm up.
For practice at home, it depends on my mood.
LL: Have you always been mindful of ergonomics when you play?
SR: All that just comes naturally. For guitar or voice, you should be very relaxed. That being said, I don’t like to sing sitting down. Even on solo acoustic gigs, I stand up for a better voice. Economy of motion is very important when playing any instrument.
LL: Do you have a piece of equipment (or software) that you thought was a good buy at that time, but you eventually didn’t use it as much as you hoped?
SR: Since I have regretted almost everything I have sold, I pretty much hang on to my gear. I love going through old boxes and finding cool pedals I forgot about.
LL: Do you buy consumables in bulk?
SR: We have string and pick endorsements. When I buy, I always buy in bulk. Saves $.
LL: Guitar Maintenance and Storage?
SR: 50% humidity. Most of them are hanging in my music room, ready to pull down and play when the mood hits.
LL: Would you have a humidity monitor in the room?
SR: I have a temperature/humidity monitor in the room. I use humidifiers to keep the level at 50%.
Editor’s Note: Scott tells me that this picture he shares on his Facebook page belongs Jake Peavy (a dear friend of Scott’s and current baseball pitcher with SF Giants). Scott clarifies that his (with 50% humidity) is similar, but smaller.
LL: With your videos, what process do you go through?
SR: The ones I have done, I just start the machine and start playing. The first ones I put up (after being urged by so many people to do so), I turned the recorder on and played about 20 songs straight through. I uploaded it, split them into separate songs, trimmed the beginning and end and uploaded them. What you see/hear is what you get. No editing. Plus I like everything dry. Just guitar and voice. If it doesn’t sound good, I have nothing to blame but me. Practice will fix it. Not reverb 😉
That reminds me of one of my favorite comments on one of my initial 20 videos. Some guy said something like, “Dude, you are awesome! You are good enough to go out and get paying gigs so you can buy a new shirt!”.
LL: Do you have a regular schedule of posting videos?
SR: I always have stuff I would like to record and upload. It’s just the challenge of time. I hope to get better at it.
LL: Were there instances when you hesitated about posting something?
SR: No, I just post what I want to when I have time. The idea of setting it up is a bit daunting. I need to do it more so I get more comfy with the process.
LL: What would you like to learn about next? Has your approach to learning changed in the last 5 years?
SR: I have grown more in the last 10 years than my previous years combined. I have craving for knowledge and for the betterment of me.
LL: Are you currently mentoring someone?
SR: On my life path, I try to learn as well as teach, serve or inspire any place I can. As humans, we have a duty to do these things.
LL: What do you do when you come across something that annoys you?
SR: I am rarely annoyed or offended. I have learned that it is really easy to shake things off and move on. Life shouldn’t be that serious. We fail, we learn from our failures and hopefully next time, we’ll remember the lesson we learned. #fallforward
LL: Are there certain things you ‘geek out’ about?
SR: Technology, business & investing (especially real estate).
LL: Are there artists that you would hope more people should listen to?
SR Music is a very personal thing. Some types of music or particular songs, solos, etc. touch everyone differently. Find something that moves you and get lost in it.
LL: What are you reading at the moment?
SR: Right now, I’m reading “How To Use the GoPro Hero 4”, by Jordan Hetric. For building a strong life foundation and attitude, I recommend books like The 7 Habits of Highly Effective People (Stephen Covey), The No Complaining Rule, Energy Bus, Training Camp (Anything Jon Gordon). I like business news, I follow the stock markets as time allows, I like commercial real estate and retail stats and trends.
LL: Do you go out of your way to discover new things?
SR: Every day! I mostly Google to find information. If I want to dig deeper, I look for a book.
LL: In what way do you approach motivation and inspiration?
SR: I stay motivated because I’m always feeding myself spiritually, mentally and physically. I play guitar, read positive books, I avoid negative input as best I can (sometimes this requires staying off of social media…or ALL media), do yoga, bike, run, swim, workout, crossfit, etc.
LL: What makes you smile?
SR: After a couple of days on the road with the Artimus Pyle Band, my face hurts from laughing. Great guys that love to have fun!
LL: I’ve been checking out your Facebook page photos and couldn’t help but be amused! Is enjoying life (including not being afraid to look silly for the camera) what you aim for each day?
SR: Every day, I want to lift others up, learn something, better myself and HAVE FUN! EVERY day. And I am a HUGE t-shirt fan 😉
LL: What’s your view about social media?
SR: It’s a great tool and a curse. I jumped right in, however with all the political and social rants that has taken over; it takes a lot of weeding out and unsubscribing. I mostly just post and try not to browse much.
LL: Do you currently post at forums?
SR: I never got into forums much.
LL: Are there websites that you like to visit just because you like the design?
SR: No. I’m all about content.
LL: What would you do when you need cheering up?
SR: Grab my guitar or go for a run.
LL: What do you enjoy most when collaborating with other artists?
SR: I love that music in an international language. It has been the catalyst for dear friendships across the globe. We may not speak the same language, but we can speak musically endlessly.
LL: Are you interested in technology?
SR: After drinking the Apple Kook-Aid, I am mostly Mac now. I love my MacBook Pro. I could not function without Dropbox and Evernote. My home recording software is Presonus Studio One Pro. And I love building out Excel files for real estate investment and cash flow analysis.
LL: With your videos, are you looking to upload the same kind in the future? Or are you looking to do different things?
SR: Probably will change things up as needed.
LL: If you were asked to pick from the videos you have, which one would be your favourite?
SR: I enjoy looking at videos that pop up on YouTube after a run of shows. I like getting the crowd’s perspective.
LL: Are you the type of person that finds it easy to start something?
SR: I’m a note taker. I have to get my ideas down and “whiteboard” them so I don’t forget or lose the vibe I had when it hit me. I can add to, edit or trash it later if it doesn’t do anything for me.
LL: For someone watching a video of yours for the first time, what is the message you’re hoping they’ll take with them?
SR: I hope to inspire.
LL: What makes your soul sing?
SR: Playing in front of thousands of people and directing/connecting them in unison (hand claps, applause, singing), flying down a mountain on a single track bike, jumping out of a plane, overcoming my limited mindset and pushing through a ceiling…any ceiling.
LL: What do you find is the best way to connect with people who admire your work?
SR: Messaging on social media is probably the quickest. I don’t think YouTube has messaging notification outside of email. If it does, let me know.
LL: What kind of opportunities are you looking forward to?
SR: I am open to all opportunities. I would love to jam with someone in every country on earth.
LL: In what way do you enjoy helping others?
SR: Our Church is very hands-on in the community and around the world. I don’t know an organization that does more in the world than ROTARY. I am an active Rotarian and the mission trips I have been involved with have fulfilled my soul.
* Scott Raines is a guitarist based out of Asheville, and is a walking jukebox (ask him how many tunes he can whip out!). He looks forward to realising his dream of jamming in every country in the world — and is open for an invite to visit a country he has not been to, and jam. You can see things from his eyes by checking out his Twitter feed or his Facebook page.
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